Pamela Thomas is the Co-Owner and Co-Curator of the Museum Of UnCut Funk (museumofuncutfunk.com), an avid collector of Black memorabilia and an expert on 1970’s Black culture.
Pamela Thomas remembers the moment when she realized her hobby was a little different from knitting. It was when she found herself trying to get to the post office before it closed, so she could send off more than $2,000 in money orders to fund her “addiction.”
The Museum Of UnCut Funk brings images from it’s FUNKY Collection online with the Google Cultural Institute
Black Character Revolution Firsts – An Exhibition Featuring A Timeline Of The First Appearances Of Positive Black Animation Characters In Television History
Bill Withers is a living legend. He is unquestionably, the most regular famous guy, I have had the fortune to talk to. When Sony/ Columbia Records released a greatest hits collection of his music titled, “The Best of Bill Withers: Lean on Me” back in 2000, I had the honor of doing a phoner interview with him.
Our new SuperBad Soulware Line, our funky house brand, includes our SuperBad, SuperFly, SuperBad Superhero, Soul Brother, Soul Sister, Soul Baby and Soul Princess items.
Our new Funky Turns 40 Line, based on our highly successful traveling exhibition, includes our embroidered t-shirts and funky party accessories – everything you need to commemorate your special FUNKY BIRTHDAY or MILESTONE!
Just in time for the holiday gift giving season we have launched our virtual Museum Of UnCut Funk Store, the FUNKIEST STORE on the planet!!!
All three of Bobby Ray’s studio releases have made the Funkalicious lists of best albums of the year. Ever since his first CD, “B.o.B. Presents: The Adventures of Bobby Ray,” this talented performer and producer has been droppin’ musical bombs that have exploded beyond the genre of hip-hop. In addition to his official records, B.o.B. has also released the mixtapes “No Genre” (Import), “No Genre Pt. 2” and “New Black.”
What’s happening folks, it’s S.D., your favorite OG (older gent) here! Reflecting on some of my favorite musical artists of the 70’s (1970-1979). It was during these times that I personally enjoyed the natural development and maturation of some already known R&B acts. In addition to being introduced to new musicians from the “DISCO” era.
Not too long ago, Laurence Fishburne played “Dr. Raymond Langston” in CBS’ CSI series, but first he was Dr. Joshua “Josh” Hall (#1) on “One Life to Live” on ABC TV from ’73 to ’76; he did a television movie, then began a career in film. He took on a role with Pee Wee’s Playhouse as “Cowboy Curtis” from 86 to 90; and most recently was “Jack Crawford” in the small screen version of “Hannibal,” that was based on the character made famous in the Oscar award winning film, “The Silence of the Lambs.”
Greetings Friends, Funk-A-Teers and Lovers of R&B… Take a trip with me as we STEP INTO THE FUNK, acknowledging the genius of my musical hero and namesake, Stevie Wonder.
Funky Turns 40: Black Character Revolution – Exhibition Results From The Schomburg Center For Research In Black Culture
We are busy getting our traveling exhibitions booked in museums around the country. There are more exhibitions to come, so stay tuned! 202,437 people have seen one of our funky traveling exhibitions to date!!!
I remember rushing to my computer to order my copy of Women Of Blaxploitation the minute I learned this book had been published. I felt as if there was someone else who “got it”… about one of the greatest times in Black cinematic history and the impact that Black women had in these films.
A couple of months ago, the crew from the Collector’s Quest website became the first people to actually visit the offices of The Museum Of UnCut Funk, interview me and see our collection.
Widely recognized as the impresario of Black arts and culture, Ellis B. Haizlip devoted a lifetime of artistic excellence to the communication of Black perspectives through stage and television productions. His mission, in his own words, was “to sensitize and involve the total community in the lifestyle and rhythm” of Black Americans.