Black Character Revolution Firsts – An Exhibition Featuring A Timeline Of The First Appearances Of Positive Black Animation Characters In Television History
Funky Turns 40: Black Character Revolution – Exhibition Results From The Schomburg Center For Research In Black Culture
We are busy getting our traveling exhibitions booked in museums around the country. There are more exhibitions to come, so stay tuned! We have reached a major milestone…drumroll from the funky drummer please…we have surpassed the quarter of a million mark…284,976 people have seen one of our funky Black history traveling exhibitions to date!!!
I recently had an opportunity to speak with Leo Sullivan, one of the pioneering Black animators who helped lead the revolution of positive Black animated characters during the 1970’s. I interviewed Leo for close to an hour, spoke to him after the interview for a little longer. He was gracious, humorous and introspective. His bio and interview are below. It was an honor to speak to this Animation Legend.
Fat Albert, Schoolhouse Rock, The Harlem Globetrotters: with their retro animation styles, these 1970s cartoons seem dated now, but in their time, they were groundbreaking.
Think of trailblazing black TV shows, and The Cosby Show immediately comes to mind. But before the Cliff Huxtable, there was Fat Albert, Bill Cosby’s beloved animated creation that became famous for his catchphrase, “Hey, hey, hey!”
The mission of the Museum Of UnCut Funk is to “preserve funky Black Cultural artifacts and history for future generations.”
Just in time for Black History Month, a new exhibition in Harlem looks at the rise of black characters on classic Saturday morning cartoons. NY1’s Roger Clark filed the following report.
The Museum Of UnCut Funk and our Funky Turns 40: Black Character Revolution Exhibition National Museum Tour was recently covered in the Black History Month Supplement of USA Today.
Pre-Boomerang/Cartoon Network, when there were only three major networks (CBS, NBC and ABC), part of the television ritual for kids during the 1970s was Saturday morning cartoons.
On February 2, 2014 our Funky Turns 40: Black Character Revolution Exhibition at the Schomburg Center was mentioned on the ABC 7 NY community affairs program Here and Now.
The Museum Of UnCut Funk visited the FanBros Show to talk about our Funky Turns 40: Black Character Revolution Exhibition at the Schomburg Center. Kimsonian from FanBros came to our Curator’s Talk and to see the exhibition.
Hey Hey Hey! New Animation-Inspired Exhibit, Funky Turns 40: Black Character Revolution to Open at Schomburg Center February 5th.
Our Funky Turns 40: Black Character Revolution Exhibition National Museum Tour was recently covered by Tanya Ballard Brown for NPR’s Code Switch blog. Below is Tanya’s article, which includes her conversation with legendary animator Leo Sullivan, who worked on the Fat Albert cartoon special and series and several other 1970’s cartoons that featured positive Black characters.
Black Character Revolution –
A Retrospective Of 1970’s Saturday Morning Animation Art Featuring Characters From The Fat Albert and the Cosby Kids Cartoon
Black Character Revolution –
A Retrospective Of 1970’s Saturday Morning Animation Art Featuring Characters From The Jackson 5ive Cartoon
The Museum Of UnCut Funk owns one of the world’s most unique and extensive collections of Original Animation Production Cels and Drawings from 1970‘s Saturday morning cartoons that feature Black characters.
The Museum Of UnCut Funk has an impressive collection of oxymoronic art. Why oxymoronic? Animation is an art form with caricature as its foundation. However, nearly all of the cartoons represented in this collection, which feature African American and African caricatures, attempt to negotiate the entertainment value of the characters’ designs with accuracy in depicting African American performance.
Robert Balser began his career in 1955 as a layout artist at Norman Wright Productions. A year later he was Layout Production Supervisor on the title sequence of Michael Todd’s Around the World in Eighty Days.