Tag Archives: Black Music Month

Chrysler just released their new commercial featuring Berry Gordy riding in their new Motown 300C. This spot is supposed to air during the Super Bowl. It is nice to see Gordy and Motown get the accolades they deserve. Give them their flowers while they are here…

Black Character Revolution
A Retrospective Of 1970′s Saturday Morning Animation Art Featuring Characters From The Jackson 5ive  Cartoon

About a month ago, The Museum of UnCut Funk paid a visit to the Aleem Brothers in Brooklyn.

My second phoner with Mr. Pendergrass we discussed the success of his last release, his book, his Christmas album – his greatest hits album – he was ecstatic to be one among the many in entertainment to even have a greatest hits. He was happy that a new generation of people were going to be able to hear a collection of music from the 70s that would hopefully enrich them.

Teddy Pendergrass was unquestionably one of the greatest male vocalists in the genre of R&B. Initially the drummer for Harold Melvin & the Blue Notes, his voice is featured on their hits “Bad Luck,” “Where Are All My Friends,” “Be For Real” and “Wake Up Everybody.

I actually had the fortune to have met Al Green, the first time I interviewed him. As it was in the latter 90s when I conducted it, the living legend was already extremely accomplished by that time. He reflected on his beginnings in music and spoke of his early days in the studio with Willie Mitchell.

Leontyne Price, a lyric soprano, is one of the world´s leading lyric sopranos. Her career in concerts and opera has brought her the praise of public and critics alike.

First I have to give a HUGE THANK YOU to my cousin, friend and sister in FUNK Loreen for her tireless efforts to make this James Brown interview and all the others posted possible.

When BT Express dropped their hit “Do It til’ You’re Satisfied,” I couldn’t believe they put all that FUNK and sexy lyrics into one song. As I was coming of age when the song was released, my first thoughts about the satisfaction they sang of, was sexual. This train of thought was the closest I had gotten to any sibilance of sex at that early age.

When I had the fortune to interview Millie Jackson, she spoke to me about her endeavors from the Apollo Theatre to Broadway. We laughed a lot, as she was very candid with me about her unique style and the ups and downs of her career.

When I was afforded the privilege to speak to Curtis Mayfield, it wasn’t until after his near fatal accident at Brooklyn’s Wingate Field. As he spoke to us in a reclined position, everyone present at the roundtable discussion felt blessed to be there.

One of the greatest compliments I ever got as a journalist, was from Chaka Khan. She told me, that my interview with her, was “Vivid and Real.”

Multi-Grammy winning producer, composer and arranger Quincy Jones will release his 37th album, ”Q:Soul Bossa Nostra,” on Interscope Records on November 9th. The album features a who’s who of today’s hottest Pop, R&B and Hip-Hop artists and producers who have recorded contemporary versions of popular songs from Jones’ massive catalog.

The Average White Band is still one of the baddest bands to take the stage of FUNK. A long time admirer of their biggest hit “Pick Up the Pieces,” it was during this interview that they told me the inspiration for the tune.

Doing interviews with Teena Marie was an absolute highlight of my career in music. Having spoken to Rick James at least three times, chatting with her, was like adding to the anatomy of my body of FUNK encounters. While most females recognized in the genre of FUNK are considered to be R&B artists, one can not deny the FUNKessential contributions of Teena Marie.

An internationally acclaimed opera and concert singer, Mattiwilda Dobbs has a voice often compared to the clear and resonant sound of a bell and she is known for warm, intimate performances. Only two Blacks sang at the Metropolitan Opera before her, and, appearing in Rigoletto in 1956, she was the first Black to perform a romantic lead on that stage.

I spoke to the late Roger Troutman and the group Zapp one summer just before the turn of the century.

Shortly after Rick James’ release from Folsom prison, he hit the road to get back in the swing of things.

I remember meeting George Clinton at his hotel room when we spoke for this interview. It was 1999, awhile after he had dropped his albums “Dope Dogs” and “T.A.P.O.A.F.O.M. (The Awesome Power of a Fully Operational Mothership),” which were released in 1995 and 1996, respectively. He spoke about some of his favorite projects that he released over the years, as well as the success of his visual art.

In celebration of June being Black Music Month, The Museum Of UnCut Funk is highlighting Black music and musicians featured in comic books.