“Bad, Black and Bountiful: The Museum Of UnCut Funk Looks Back at the Blaxploitation Film Genre”. At one time the images were omnipresent: on TV, in movies, on billboards and in magazines. Young African-American men and women in anti establishment starring film roles, wearing bell-bottoms, platforms and Afro hairstyles, and determined to get even—or “get over.” The time was the early 1970s, and the film genre was Blaxploitation—action oriented pictures that, for the most part, told stories culled from America’s crime-ridden inner-cities.
Horror movies with predominantly Black casts represent a niche segment of the horror genre that has been under appreciated for decades. A number of these films continue to entertain new generations of movie aficionados. These films are national treasures and should be a part of any film collection. The Museum of UnCut Funk pays homage to Blaxpolitation Horror films of 1972 and 1973.
Celebrating the 40th anniversaries of Blaxploitation films and films that starred Black actors during the Blaxploitation film genre. These films were released from January 1 – December 31, 1972 during the “Greatest Decade Ever” in Black cinematic history. Most of these movie posters are in the collection of The Museum Of UnCut Funk, with the exception of A Place Called Today, Fritz The Cat, Is The Father Black Enough and The Limit.
During the 1970’s, Blaxploitation moved into the horror category with a number of movies, made for Blacks, staring Blacks. One of the most important actors from this period was William Marshall. He starred as Blacula, a Black version of Dracula in two movies, Blacula and Scream, Blacula, Scream.
Blaxploitation meets urban culture.
Hip And Happening Aqua Teen Hunger Force – Cartoon Network
Adult Swim’s “Aqua Teen Hunger Force” series has a character called ‘Boxy Brown’ (A play on Foxy Brown, a lead character in another blaxploitation film).
Pressbooks were created to provide theater owners with the information and materials needed to promote a given film. Pressbooks contained information on the actors, illustrations of film posters, newspaper ad slicks, movie notes, tie-in ideas and other promotional materials including ready-made film reviews.
Without question, one of the most breathtaking beauties to emerge out of the 70’s “Blaxploitation” era was actress Vonetta McGee. This lovely sister, born in San Francisco on January 14, 1945, possessed the complete package; looks, talent and determination which should have made her a marquee name in Hollywood. Instead, this tantalizing, tan, and talented lady found herself in in the land of Blaxploitation, where her some would considerable her talents were laid to waste.
During the 1970’s, Blaxploitation moved into the horror category with a number of movies, made for Blacks, staring Blacks. One of the most important actors from this period was William Marshall. He starred as Blacula, a Black version of Dracula in two movies, Blacula and Scream, Blacula, Scream. Blacula became the Blaxploitation’s eras first prominent horror film.