Alfred Hitchcock believed that “In feature films the director is God; in documentary films God is the director.” If Stephen King is the “Master of Horror” and Alfred Hitchcock is the “Master of Suspense”, Brian DePalma would be the “Master of Thriller” right… At least that’s how I see it. While all three can be “Scary”, there’s something about the way the words are spoken, the drama is built up or how it’s shot that gives a cinematic presentation various distinctions. “There is no terror in the bang, only in the anticipation of it,” THAT’S SUSPENSE — Hitchcock said that too — I just found that quote after my preceding two sentences.
When I first saw a poster for Stephen King’s new book “Joyland” in the subways of New York, I said, ‘Is that a new movie?,’ because of how bold the colors were and the way it’s advertised. One quickly realizes it’s a poster for his new book at second glance, but it immediately made me wonder — will it be a movie? A reader of his works and one who’s enjoyed most of the films adapted from his books, I had to investigate.
I met JM at the Bronx Heros Comic Con this year. We discussed his work and I mentioned that I thought it would be a good fit with our Aesthetic Groove blog. I would like to thank JM for for submitting his work. Much success on “A Saviour in the Dark” and “Chadhiyana and the Serpent”. Looking forward to seeing you at New York Comic Con.
During the 1970’s, Blaxploitation moved into the horror category with a number of movies, made for Blacks, staring Blacks. One of the most important actors from this period was William Marshall. He starred as Blacula, a Black version of Dracula in two movies, Blacula and Scream, Blacula, Scream.