Sistas: The Musical had my head bouncing, my toes tapping and my off key voice singing (to myself, of course). This off Broadway production is a hidden jewel and a musical delight.
Back in September, I started compiling my list of things to do for my Curator’s Short List for the rest of the year. This is where I identify a list of restaurants where I want to eat, shopping venues I want to patronize and plays I want to see. Sistas: The Musical made the top of my list. I am glad that I finally got a chance to see it!
Sistas is the musical journey of five women who come together to commemorate the loss of the matriarch of their family, their recently departed Grandmother / Great Grandmother Alice. The play weaves together the lives of three Black sisters, one Black teenaged daughter and one Caucasian sister-in-law, as they share both cherished and difficult moments from their Grandmother’s life and their pasts. The cast of characters includes: Simone, the eldest sister and single parent raising a teenage daughter; Tamika, the teenager who is more interested in her boyfriend than family history; Gloria, the god fearing sister who recites bible verses to cope with her siblings and life; Roberta, the revolution loving sister who is funny and full of life but hiding a painful secret; and Heather, the sister-in-law, who holds her own as she inserts herself into family business. Sistas meshes generational issues, racial politics and the personality differences among these women with an interesting play list of music.
What differentiates this production is the musical selection and the way it transports you along with these women through the decades as they reminisce about their Grandmother’s life and share their own experiences. Taken from the study guide on the Sistas website (http://www.sistasthemusical.com/StudyGuide-Intro.htm), the production “uses popular music sung by African-American women from 1919 through the present time, in order to show social change for Black women and society in general. The music’s trajectory is revealed to go from “Naming the Pain” (A Good Man is Hard to Find) to “Framing the Problem”(I am Not My Hair), to “Proclaiming the Joy” (Just Fine and Golden). This parallels the story of African-American women and their emerging sense of empowerment.”
Here are the artists and songs featured in Sistas: The Musical:
Year recorded song was released or hit charts | Name of song | Writer | First recorded performer | Top place on charts |
Traditional | Oh Happy Day | Traditional | ||
Traditional | Ain’t Gonna Let Nobody Turn Me Around (ensemble) | Traditional | ||
1919 | A Good Man is Hard to Find (Eddie Green) Roberta | Eddie Green | Bessie Smith | #9 |
1922 | My Man | Charles / Pollack / Willemetz / Yvain | Fanny Brice (Billie Holiday in 1938) | #9 |
1922 | ‘Tain’t Nobody’s Business (sung by Billie Holiday) | Robbins / Grainger | Bessie Smith | #40 |
1931 | That’s Why Darkies Were Born (Kate Smith) record | Lew Brown / Ray Henderson | Kate Smith | #12 |
1933 | Stormy Weather (Lena Horne) Aimonw | Ted Koehler / Harold Arlen | Ethel Waters (later Lena Horne) | #1 |
1939 | Strange Fruit | Lewis Allen | Billie Holiday | N/A |
1941 | God Bless the Child | Billie Holiday, Arthur Herzog, Jr. | Billie Holiday | N/A |
1956 | Precious Lord | Dorsey / Allen | Mahalia Jackson | N/A |
1964 | Images | William Warey Cuny & Nina Simone | Nina Simone | N/A |
1964 | Shoop Shoop Song | Rudy Clark | Betty Wright | #6 |
1965 | Baby I’m Yours | Van McCoy | Barbara Lewis | #11 |
1965 | Stop! In the Name of Love | Dozier / Holland / Holland | The Supremes | #1 |
1966 | Keep Me Hangin’ On – Ensemble | Holland / Lamont / Dozier / Holland | The Supremes | #1 |
1966 | Sweet Talkin’ Guy (Chiffons) Roberta, others | Doug Morris / Eliot Greensberg / Barbara J. Baer | The Chiffons | #10 |
1966 | Nowhere to Run | Dozier / Holland / Dozier | Martha & the Vandellas | #8 |
1967 | Say a Little Prayer | Bacharach / David | Dionne Warwick | #4 |
1967 | R.E.S.P.E.C.T. | Otis Redding | Aretha Franklin | #1 |
1968 | Society’s Child (Janis Ian) Heather | Janis Ian | Janis Ian | #14 |
1969 | I’m Gonna Make You Love Me | Gamble / Huff / Ross | The Supremes | #2 |
1979 | I Will Survive | Fekaris / Perren | Gloria Gaynor | #1 |
1979 | Hot Stuff Tamika | Pete Bellotte, Keith Forsey, & Harold Faltermeier | Donna Summer | #1 |
1979 | We Are Family | Bernard Edwards / Nile Rodgers | Sister Sledge | #2 |
1987 | Let’s Wait a While | Andrews / Harris / Jackson /Lewis | Janet Jackson | #2 |
1988 | Control | Harris / Lewis / Jackson | Janet Jackson | #5 |
1993 | I Have Nothing | Foster / Thompson Jenner | Whitney Houston | #4 |
1995 | You Gotta Be | Des’ree Weekes / Ashley Ingram | Des’ree | #5 |
1997 | Tyrone | Hurt / Wright | Eryka Badu | N/A |
2001 | A Woman’s Worth | Alicia J. Augello-Cook / Erika Rose | Alicia Keyes | #3 |
2002 | Beautiful | Linda Perry | Christina Aguilera | #3 |
2003 | Milkshake | The Neptunes | Kellis | #3 |
2004 | Golden | Bell / Robinson, Robinson / Scott | Jill Scott | #1 (album) |
2006 | I Am Not My Hair | Simpson / Sanders / Ramsey | india.arie (Simpson) | #97 |
2007 | Just Fine (Mary J. Blige) – ensemble | Alexander /Blige / Nash / Stewart | Mary J. Blige | #22 |
2008 | Single Ladies (Put a Ring On It) | Beyonce Knowles / Christopher Stewart / Terius Nash / Thaddis Herrell | Beyoncé | #1 |
If you are looking for a great off Broadway production, with great music, Sistas:The Musical is highly recommended by the Museum Of UnCut Funk.
For more information about tickets and group rates please visit : http://www.sistasthemusical.com/
Sistas: The Musical
Written by Dorothy Marcic
Produced by Hinton Battle
Starring:
Tracey Conyer Lee
Lexi Rhoades
April Nixon
Jennifer Fouché
Amy Goldberger
St. Luke’s Theater
308 West 46th Street
New York, New York
http://www.facebook.com/SistastheMusical